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Showing posts with the label charlotte stokely

charlotte stokely and serene siren in “breakfast with my friend - part 1”

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scene title:  breakfast with my friend - part 1 performers:  charlotte stokely, serene siren site:  sweetheart video (mile high) production credits:  ricky greenwood (dir.), sean aitch (ed.), maddy barton (scr.) trailer l: charlotte stokely, r: serene siren two sweetheart videos in a row about lesbian partners having the slightest ruffle in their domestic placidity, which leads, inevitably, to sex. but because this is the opening scene to the forthcoming dvd, we get a more extended introduction, with penny pax and sovereign syre as charlotte's childhood friends having brunch with the couple and awakening just the slightest touch of jealousy in serene. i can't express how great it is to see all these wonderful women in their thirties just playing women and not having to be forced into aged-up roles as stepmothers, teachers, or bosses. specifically, this is the first time i've seen serene siren not playing an authority figure paired with a "teen....

charlotte stokely and kenna james in “closing time”

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scene title:  closing time [scene 1] performers:  charlotte stokely, kenna james site:  wicked pictures production credits:  mike quasar (dir., ed., scr.) trailer l: kenna james, r: charlotte stokely here, on the first day of my commitment to reviewing girl/girl scenes, the question arises: what counts as a scene? everything else i've reviewed so far has been the story of a single encounter, with no plot after the sex. here, by contrast, the story picks back up after the sex scene and continues to what seems to be a fairly arbitrary cutoff point, after which scene 2 and its sequels (i won't be watching them, because this is the only girl/girl scene in the movie) will presumably draw the narrative strands set up here to some kind of satisfactory conclusion. but just because the story is incomplete for me doesn't mean i can't judge the scene according to my usual metrics. the script gets nearly full marks, because mike quasar put effort into it and ...