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Showing posts from April 21, 2019

nancy a and hazel in “beautiful sunset”

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scene title:  beautiful sunset performers:  nancy a, hazel site:  ultra films production credits:  fredy riger (dir.) trailer l: nancy a, r: hazel well, folks, i don't know what to think of this one. i can only assume that there must have been some serious problems on the day of shooting, or perhaps it's an artistic european choice i'm too unsophisticated an american to grasp: but this is the first time i've ever seen a complete scene fade out just as the second round begins. it's also the first time i've seen a full round of fingering where the camera is focused on the receiver's face throughout without cutting back to the action. which is unusual enough that it raises automatic suspicions: she must be faking it, she has a yeast infection or some other issue that make filming her downstairs inadvisable, and so forth. i don't particularly demand to see genital contact (people, and the things you can see in their faces, interest me more th

baby nicols and sabrisse in “playful pussy eating easter bunnies”

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scene title:  playful pussy eating easter bunnies performers:  baby nicols, sabrisse site:  lesbea  ◅  sexyhub (really useful) production credits:  none listed trailer l: baby nicols, r: sabrisse it was just one day ago that i said we'd had the best shot-for-shot lesbea scene, but this is head and shoulders above that. it's still not top-shelf, because it's produced by really useful and they don't do top-shelf, but it's a lot of fun and looks as good as anything produced by any of the really high-gloss sites. this is czech performer sabrisse's third appearance this month, and i'm no closer to discovering any kind of personality than i was before watching one scene; her partner, baby nicols, is new to me, but is apparently venezuelan and puts in excellent, if just as anonymous, work. it's the second lesbea scene this month to open with a half-hearted pillow fight that turns to kissing within a minute, a quote-unquote narrative choice tha

daphne klyde, naomi bennet, victoria pure, antonia sainz and jenifer jane in “4 on 1 lesbian gang bangs #04”

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scene title:  4 on 1 lesbian gang bangs #04 [scene 1] performers:  daphne klyde, naomi bennet, victoria pure, antonia sainz, jenifer jane site:  doghouse digital (mile high) production credits:  kk (dir.) trailer l to r, standing: victoria pure, naomi bennet, jenifer jane, antonia sainz, c: daphne klyde one other reason i might have liked london river's gangbang so much is that i was already subconsciously comparing it to this, which i knew was coming up next, and which i could tell just from the preview images would be, for my purposes, unsatisfactory on every level. doghouse digital is mile high media's european sub-brand; best known for romantic, script-heavy imprints like sweet sinner and sweetheart video, mile high uses doghouse as a generic clearinghouse for mostly-gonzo, mostly-hardcore stuff that caters to particular fetishes. their girl/girl material in particular is exclusively either younger/older pairings or this kind of pointless nonsense. i'

honey gold, isabella nice, victoria voxxx and london river in “the orgasmic workout”

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scarlett sage and shyla jennings in “easter egg-gasm”

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scene title:  easter egg-gasm performers:  scarlett sage, shyla jennings site:  all her luv (missax) production credits:  missa x (dir., ed., scr.) trailer l: scarlett sage, r: shyla jennings if the last allherluv scene was the most complex, emotionally mature, and dramatically complete scene we've seen all month (thanks to writer-director whitney wright), this piece of holiday-themed fluff is entirely its opposite: a silly premise featuring two women playing well under their actual age, with no particular shape to the story, no narrative payoff to several seeds planted, or any complex emotions at all. which is fine: not every porn scene needs to be in contention for the palme d'or, and scarlett sage and shyla jennings are probably the two girl/girl stars most suited to playing up a silly premise with no real acting, but a great deal of sexual enthusiasm, necessary. what their relationship is supposed to be is never spelled out in the scene, but presumably the

carter cruise and jayden cole in “deuces are wild”

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scene title:  deuces are wild performers:  carter cruise, jayden cole site:  hot and mean  ◅  brazzers (mindgeek) production credits:  none listed trailer l: jayden cole, r: carter cruise two girl/girl all-stars in a ridiculous high-concept scene for one of the few studios that reliably shoots ridiculous high-concept scenes in a compelling way? yes please. this could easily have been a twistys scene rather than a brazzers one, and the two leads playing poker competitors with a reason to hate each other at the beginning is the only reason it slots into the hot and mean theme. otherwise, in terms of lavish decor, radiant lighting, stylized costuming, and classy camerawork, it looks very much like a traditional glamour scene rather than the broader, sitcommy style brazzers is known for. not that i'm complaining, just noting a visual discrepancy as it occurs to me. the premise of the scene, a tense poker showdown in which jayden accuses carter of cheating, was a littl

serene siren and carolina sweets in “women seeking women #152”

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scene title:  women seeking women #152 [scene 4] performers:  serene siren, carolina sweets site:  girlfriends films production credits:  b. skow (dir.) trailer l: carolina sweets, r: serene siren the second b. skow-directed girlfriends release i've watched every installment of this month, and possibly the best scene i've gotten from him (and from the studio) all month. none, or almost none, of that is due to his work: most of it is due to serene siren and to a lesser extent carolina sweets. it's worth taking a moment to look back on the entirety of women seeking women #152, which (like many or even most girlfriends releases is really two entirely different stories told across two scenes each, packaged together for no particular reason other than that dvd sales are the only thing the company really understands). the first half, with ella knox and jenna foxx as the employees of elexis monroe and ryan keely, started strong but went nowhere; the second half,

cadence lux and serena blair in “we like girls: cadence and serena”

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scene title:  we like girls: cadence and serena performers:  cadence lux, serena blair site:  we like girls ◅ girlsway (gamma) production credits:  bree mills (dir.), clit eastwood (ed.) trailer l: serena blair, r: cadence lux this is the fifth entry in the we like girls project, one of several original series bree mills is producing for adult time, gamma's attempt to create a netflix-style porn destination with high-quality content, a vast licensed back catalog, and entries in every major porn genre. because it's girl/girl it falls under the girlsway umbrella, but traditional girlsway fans are mostly turning their noses up at it: they want the shitty stories and lame acting, they don't want to see the girls talk to the camera or see behind the scenes as the camera crew and makeup artists get them ready. they want fantasy, and they think that seeing the director interact with the performers kills the fantasy. so what do i think? i think it's a wonder