the whole shebang

scene title:  anal awakening performers:  britney amber, penny pax site:  everything butt  ◅  kink production credits:  kirin kurai (dir.) trailer l: penny pax, r: britney amber the limit to my sympathy with kink's approach to its material has, i think, been found. i still respect their process: it's good to see everyone asked in clear terms what their limits are, whether their boundaries were respected, and what they think about what they did. but the end result, whether because i don't share the particular fetishes being catered to or because i have unreasonable standards for fetish porn, is still unsatisfactory. very little of that is due to the performances. britney amber and penny pax are both wonderful second-tier performers with extensive experience and a creative knack for kinkiness; but the scenario gave them little to work with here, as it was mostly just a parade of toys going into penny's anus. (all the same toys, i note, as in the casey ca

scene title:  domination performers:  vanna bardot, gina gerson site:  als scan (metart) production credits:  none listed trailer l: vanna bardot, r: gina gerson the absolute low point in the metart empire, as far as my preferences are concerned, is alsscan. als stands for all ladies shaved, which was a dumb fucking selling point even at the site's height ten years ago; now it's just an exhausted trope, faux-teens with protruding pelvic bones using the same cheap plastic toys on each other in every scene, world without end. there's a market for it, obviously, but i'm not part of that market demo. i don't talk here about what gets me hard or wet, but from a purely aesthetic point of view the "teen" niche doesn't interest me and from an ethical point of view really skeeves me out. further, in isolation i don't care whether performers sport pubic hair or not (it's their body), but making "shaved" a selling point trips m

scene title:  full of joy 2 performers:  eilin flame, julia rain site:  sexart (metart) production credits:  andrej lupin (dir.), ty rodriguez (ed.) trailer l: julia rain, r: eilin flame when the metart network finds new girls, they put them to work: i just reviewed ivy rein's second scene of the month for viv thomas, and her partner from the first scene, elin holm (credited as eilin or elin flame in the metart network because euro glamour sites are weird about letting the girls get too famous across platforms), makes her third appearance of the month here. her partner, julia rain, isn't familiar to me, but she appears to be brand-new anyway (her twitter profile was created april 2019) so that's not surprising. this is the second scene in a two-parter starring julia rain; the first was with a man, maximilian dior, who appears briefly in a previously-on here introducing julia to a compact vibrator. elin's discovery of the vibrator is the (very minor) in

scene title:  love is in the air performers:  ivy rein, sarah cute site:  viv thomas (metart) production credits:  sandra shine (dir.), frank mirror (ed.) trailer l: ivy rein, r: sarah cute there's little to say about sandra shine's third entry of the month, and second featuring russian newbie ivy rein. her hungarian partner here, sarah cute, seems to have more credits, but is also relatively new, so it was interesting to see ivy taking the, ahem, reins in their encounter; the last time i saw her, with elin flame, she was more passive. the photography remains exquisite, with a warmth and subtlety that functions as something of a rebuke to the more static and chillier vibe of the fox/veller team that is shine's primary competition at viv thomas. a yardwork montage over sentimental guitar plucks leads to perhaps the fakest bonking of heads i've ever seen when they both reach for the recycling; ivy kisses sarah's forehead to make it better, which lead

scene title:  lesbian legal #14 [scene 4] performers:  eva long, violet rain site:  girlfriends films production credits:  b. skow (dir.) trailer l: eva long, r: violet rain my usual vocal despising of girlfriends will have to be put on hold here, because violet rain, the younger starlet in this scene (originally released on dvd in september of 2018) was taken off of life support in march of this year after a fatal drug overdose that left her in a vegetative state. she had been out partying two weeks earlier and was left abandoned at a los angeles-area hospital by an unknown party, with evidence of having been sexually assaulted. she was nineteen. the cruelty and arbitrariness of the low-level celebrity lifestyle, the invincibility of youth, and the mythmaking of an industry all too willing to pretend that teenagers are fully-formed adults prepared to be responsible for their own safety in every circumstance means another dead young woman, little known and soon forgotte

scene title:  left at the altar performers:  tiffany watson, kira noir site:  girlsway (gamma) production credits:  stills by alan (dir.),  zombie (ed.), metalhead42 (scr.) trailer l: kira noir, r: tiffany watson girlsway is the most prolific site among those i review here, so it's probably inevitable that there's a certain bored familiarity in my approach to their scenes. i know what to expect, especially from the last several scenes shot by stills by alan toward the end of 2018, and they're almost never going to surprise me anymore. that's even more true with this scene, the second kira noir/tiffany watson pairing to run on girlsway in early 2019, which is unusual enough to be worthy of comment. their first pairing, "getting hot in here," was released after both scenes had been shot, so this isn't in response to fan demand. presumably it was about availability on the day; either way, they work well enough together that you could imagine