the whole shebang

scene title:  axel braun's girlfest 2 [scene 5] performers:  carolina sweets, paige owens site:  wicked pictures production credits:  axel braun (dir.) trailer l: carolina sweets, r: paige owens it seems as though each scene in this release is aimed at a different segment of the girl/girl market: lacy and gina for the romance fans, ana and kenzie for the gonzo fans, reagan and jessica for the milf fans, emma and darcie for the glamour fans, and now carolina and paige for the fans of the "teen" category. i've said my piece about why i despise that category, and i won't repeat myself here; i'll just note that both women are in their early twenties and despite being styled in youthful fashions in the intro they do no pretending that they're younger than they are. i've reviewed carolina working for girlfriends and paige working for brazzers, and while i wasn't enormously impressed by either of them they are both perfectly competent at...

scene title:  axel braun's girlfest 2 [scene 4] performers:  darcie dolce, emma hix site:  wicked pictures production credits:  axel braun (dir.) trailer l: darcie dolce, r: emma hix as i suspected, darcie dolce isn't incapable of giving an intimate performance; she just has to be paired with the right partner. she still isn't wholly vulnerable here: her go-to move of blowing a raspberry on her partner's genitals, which has always been indicative to me her preference for high energy over maintaining a connection, rears its head once or twice. but emma is patient and genuine with her (she always initiates communication, which seems necessary with darcie), and by the end of the scene they both seem to experience real satisfaction. the filmmaking is spectacular. the room is as echoey (all hard surfaces and open areas) as the ana/kenzie scene, but instead of being on a couch they're on a large ottoman, so the cameras can shoot them like they're on a ...

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scene title:  axel braun's girlfest 2 [scene 2] performers:  ana foxxx, kenzie taylor site:  wicked pictures production credits:  axel braun (dir.) trailer l: kenzie taylor, r: ana foxxx at about the four-minute mark i was about to start complaining that the underlighting of these scenes meant that ana foxxx' dark skin was muddy and indistinct, and then someone either turned a light on or adjusted the camera's aperture properly, and for the rest of the scene the lighting was exceptionally beautiful. the setting is a faux-leather couch in an echoey hall rather than a bed in a muffled room, so the sound is worse than the previous scene: and kenzie and ana are naturally louder performers than gina and lacy. this isn't gentle and romantic, but energetic and cheerful, with silly porn positions (including reverse cowboy on a dildo stuck to a glass table; ana is such a champ) and plenty of dirty talk. both of them are grown women who know what they like an...

scene title:  axel braun's girlfest 2 [scene 1] performers:  gina valentina, lacy lennon site:  wicked pictures production credits:  axel braun (dir.) trailer l: lacy lennon, r: gina valentina the hollow laugh i gave out when this five-scene collection popped up on the last monday in the month, the second-to-last day before i will be free of this goddamn project. back deep in the archives now, i expressed surprise and delight at how many wicked scenes i was getting to review, because they were usually so sparing with their girl/girl. two weeks passed with only boy/girl releases, and i felt we were back to normal. then of course axel braun drops a wall-to-wall girl/girl release, as if to taunt me. wicked is known for their features, but like everyone else they keep the lights on with "all-sex" releases, themed compilations of story-free sex between good-looking performers who are pros enough to either have real chemistry or to fake it well enough tha...

scene title:  they come in peace [scene 1] performers:  madison ivy, darcie dolce site:  digital playground (mindgeek) production credits:  françois clousot (dir.) trailer l: madison ivy, r: darcie dolce yeesh. i have not wanted to weigh in on a talking point that a vocal contingent of girl/girl fans insist on repeating, which is that darcie dolce is a fake lesbian and should be unceremoniously booed out of the industry. on the one hand, i refuse to claim to be able to read people's hearts, and darcie's statements that she enjoys having sex with women are good enough for me. on the other hand, i have never once bought her in a scene. which isn't to say she's a bad performer. she's definitely a weak actress, but that's different. (her casting here as some kind of, spoiler alert, emotionless alien is inspired.) she's an energetic and enthusiastic performer, which is all that many scenes require. she even on occasion manages to have chemistr...

scene title:  untreatable part 2 performers:  sofi ryan, kenna james site:  digital playground (mindgeek) production credits:  françois clousot (dir.), zach (scr.) trailer l: sofi ryan, r: kenna james i'm a little disappointed that this is the first digital playground scene i've been able to cover all month. it seems that starting in april, digital playground has stopped producing stand-alone scenes under the flixxx brand and are only focused on features (full-length movies with four to five scenes aimed at the dvd market) now. this is of course a reversion to the studio's original purpose long before they were bought by mindgeek, but it does mean fewer scenes, of less variety, every month. it might also mean more budget for the features so that the overall quality is better, but as a girl/girl viewer, for me it means hoping for scraps from every production instead of being sure of a few scenes a month. the scraps in this production are sofi ry...

scene title:  my summer part 3 performers:  emylia argan, alexis crystal site:  sexart (metart) production credits:  andrej lupin (dir., ed.), david "tata" jones (scr.) trailer l: emylia argan, r: alexis crystal it feels like this month is not showing off sexart at its best. not that this scene is bad at all, it's just something that any viewer of european erotic porn has seen before. alexis crystal and emylia argan are two of the most prolific czech performers, with alexis a rarity in europe, a performer who primarily does girl/girl. in keeping with the scenario of beach fun that turns into further intimacy, both of them are wearing hairstyles that keep their hair out of their face, alexis with pigtails and emylia with a messy bun. which is great from a verisimilitude point of view, but it's not particularly glamorous. the scenario, by the way, is about all that connects this to the other "my summer" episodes on sexart, the remainder of ...

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scene title:  sex & lies [scene 3] performers:  ana foxxx, serene siren site:  wicked pictures production credits:  hank hoffman (dir.) trailer l: serene siren, r: ana foxxx two weeks into april, two wicked features with girl/girl scenes. i was not expecting that (before april, wicked hadn't posted a girl/girl scene since november, and they've always been relatively sparing), but i'm pleasantly surprised. and i'm overjoyed at the appearance here of ana foxxx, my favorite pornstar of her generation and one of the most beautiful women on the planet regardless of profession. the scene itself is not particularly narratively interesting: it's a stylized example of an exclusive women's-only sex party being described by ryan driller to avi love (who play the principle characters). it's so indebted to 90s-style erotica, in fact, that mood music is the only sound throughout fully half the scene. but ana foxxx and serene siren are so expressive and ...

scene title:  closing time [scene 1] performers:  charlotte stokely, kenna james site:  wicked pictures production credits:  mike quasar (dir., ed., scr.) trailer l: kenna james, r: charlotte stokely here, on the first day of my commitment to reviewing girl/girl scenes, the question arises: what counts as a scene? everything else i've reviewed so far has been the story of a single encounter, with no plot after the sex. here, by contrast, the story picks back up after the sex scene and continues to what seems to be a fairly arbitrary cutoff point, after which scene 2 and its sequels (i won't be watching them, because this is the only girl/girl scene in the movie) will presumably draw the narrative strands set up here to some kind of satisfactory conclusion. but just because the story is incomplete for me doesn't mean i can't judge the scene according to my usual metrics. the script gets nearly full marks, because mike quasar put effort into it and ...