the whole shebang

scene title:  operation catfish performers:  chanel preston, jane wilde site:  whipped ass ◅ kink production credits:  fivestar (dir.) trailer l: jane wilde, r: chanel preston i can't help feeling a bit spoiled that both kink scenes that have come up for review have featured wall-to-wall spiegler girls. you're always in safe hands with spiegler girls: they know what they're doing, they know what they want, they know how to perform to the camera, and they can act, so the scenario doesn't get dropped in favor of whatever fetishy acts kink has hired them for that day. this scenario worked better than the casey/kira/whitney one, i thought. it was still dumb as rocks, but it remained consistent throughout and chanel even thoughtfully explained in dialogue why she continued to torture jane with orgasms even though she failed out of the covert ops training that was the ostensible reason for the sex in the first place. military or security-service recruitmen

scene title:  lesbians make out and eat pussy performers:  sovereign syre, victoria voxxx site:  zero tolerance production credits:  mike quasar (dir.) trailer l: victoria voxxx, r: sovereign syre i've talked shit about zero tolerance before over the course of this month, and i probably will have reason to again, but scenes like this make their shotgun approach to releasing bucketloads of content seem sensible. it's the fourth and last vignette from is it wrong she's my stepmom? volume three, and it's the best of the bunch. most of that is due entirely to the central performances. as in the three previous scenes, the "stepdaughter" gives a brief voiceover introducing herself and her stepmother. but it's unnecessary, because the encounter that sovereign and victoria actually play out is far more engaging and full of personality and character than any of the voiceovers. sovereign walks in on victoria masturbating, and attempts to use it as

scene title:  jenna foxx's hotline performers:  eden sin, jenna foxx site:  spizoo production credits:  none listed trailer l: eden sin, r: jenna foxx oh, hey, a spizoo scene with a scenario. not that it's much of one. woman fucks plumber is just behind woman fucks pizza boy as one of the hoariest porn setups. and this runs through the paces in an even more desultory fashion than most. eden sin (best wishes for her recovery ) doesn't attempt to be convincing about discovering a bad smell in the sink; once jenna foxx arrives as a plumber with very dangly earrings, the overall acting prowess ticks up a couple notches, but it's a relief when the awkward attempts at small talk end and the sex begins. the sex itself is only okay; eden (who i've never seen before) seems tentative and even inept, while jenna (who i've seen lots from and really enjoy) is smoothly professional. there's still virtually no communication or attempt to keep the scenario u

scene title:  midnight love performers:  marry morgan, naomi bennett site:  viv thomas (metart) production credits:  nik fox & tom veller (dir.), john sweet (ed.) trailer l: marry morgan, r: naomi bennett sometimes it feels impossible to have everything. viv thomas sets such a high standard of lighting, photography, and staging that virtually every us production company could stand to learn from even the dullest of their scenes; but their scenarios are so limited, the european talent is so frequently limited in their acting ability, and the sex is often so perfunctory that the finished product may be beautiful, but it hardly engages me at all. the specific talent here doesn't help. slovakian marry morgan appears to be brand new, and is very awkward even in the limited pantomime of scrolling through her phone; czech naomi bennet is more experienced, but neither of them reveal any hint of personality, letting the delicate photography and exquisite lighting setup

scene title:  lesbian legal #14 [scene 2] performers:  sarah vandella, hannah hays site:  girlfriends films production credits:  b. skow (dir.) trailer l: hannah hays, r: sarah vandella it hasn't yet been two weeks, but i'm just sick of girlfriends by now. the lame scripts, the awkward performances, the miserable camerawork, the snail's-crawl pacing, the minimal-effort sets, the total lack of glamour or artifice. i know that that's the selling point, that girlfriends' audience believes glamour and artifice to be another way to say lies, and they like it because it feels real. but as the sidebar that highly accomplished pornstars serene siren and sarah vandella as lawyers take before conferring with their teenage clients demonstrates, just doing things while being filmed is awkward and unappealing: artifice is how you make the audience feel the things you're doing, and glamour is how you make those things look good. the plot makes no sense, and

scene title:  a hot date performers:  jasmine jae, victoria voxxx site:  cherry pimps (pimp.xxx) production credits:  dean capture (dir.) trailer l: jasmine jae, r: victoria voxxx it's my understanding that cherry pimps has become one of the leading glamour sites over the past few years, thanks largely to dean capture's delicate, gauzy photography. but their parent company, pimp.xxx, is still a notably second-tier network, unable to compete with industry behemoths like mindgeek or gamma; so they do a lot of throwing stuff at the wall to see what sticks. the wildoncam sub-brand is part of that, and so is this scene, halfway between a cam scene and a traditional glamour-site scene. firstly, it's gonzo, with no particular scenario: statuesque british legend jasmine jae and ringleted all-natural victoria voxxx introduce themselves to the viewer already in lingerie, and in victoria's case spend a lot of the scene eye-fucking the camera. but because it's

scene title:  you need to get laid performers:  luna star, gia derza site:  sweetheart video (mile high) production credits:  ricky greenwood (dir.), sean aitch (ed.)  trailer l: gia derza, r: luna star the third entry in sweetheart's lesbian analingus #13 has nothing to do with the first two, but vignettes are more common than ongoing stories in these kinds of releases anyway. it's also less focused on analingus: sure, there's plenty of it, but gia and luna aren't constantly referencing it. in fact they don't communicate a lot during sex. luna vocalizes plenty, both in english and spanish, but gia, who only started last year (though it was a hell of a year), still seems to feel more comfortable as a gonzo performer than playing a character. the setup is wholly unconvincing, from luna as a telenovela star to gia as her assistant to the supposed booking mix-up where they have to share a bed. most of which i only got from the scene description, not

scene title:  maid for each other: office cleaning performers:  scarlett sage, dee williams site:  girlsway (gamma) production credits:  casey calvert & eli cross (dir.), fistopher nolan (scr.) trailer l: dee williams, r: scarlett sage the second casey calvert/eli cross directorial effort to be posted by girlsway works a lot better for me than the first. part of that is that it's an office setting, and the relationship is employer/employee rather than stepmother/stepdaughter, part of it is that the script is better: more natural and amusing and featuring a seduction rather than just "let's fuck." and finally part of it is also that the directing is better and more fluid. not that it's terribly distinct from the girlsway mold established by stills by alan. the colors are oversaturated, especially in the reds (a great way to highlight a pale woman's sexual flush, but ugly and cheap otherwise), the establishing shots are shoddy (you don'