the whole shebang

scene title:  facesitting performers:  sienna g, zina b site:  abbywinters production credits:  giulia (dir.) trailer l: sienna g, r: zina b the promise of amateur porn, that for a significant reduction in production value you get real, authentic, unmediated sex, is, quite apart from the truth of the claim, profoundly uninteresting to me. watching real, authentic, unmediated sex sparks in me not voyeuristic lust but an equally human reaction of regret at having intruded and an immediate desire to let these strangers alone to conduct their intimate business in the privacy they deserve. what i want out of porn is not authenticity, but entertainment: i want to be conducted by professionals through a fantasy. sienna and gina seem like very nice canadian women (i have no idea whether abby winters exclusively recruits their talent pool from canadians staying in amsterdam hostels, but it certainly seems that way), but i am no more eager to watch them have real, red-faced, har

scene title:  girly bedroom performers:  kate rich, elin holm site:  ultra films production credits:  fredy riger (dir.) trailer l: kate rich, r: elin holm a light and silly amuse-bouche as a palate cleanser between two long and tedious scenes (i'm only guessing about the next one in sequence, but i know what's on the schedule). i typically think of porn scenes as being between twenty and fifty minutes long, but this one, at not even sixteen minutes, struggles to fill its running length. some consumers would say it isn't even porn, but erotica, since the two of them only touch each other intimately with underwear on and once the panties come off they only masturbate. i've reviewed elin holm before under the name elin flame for viv thomas (and yet another variation on her name is coming up), but kate rich is new to me; they're both russian, though, and speak not a word throughout. they're certainly cute, and appear to enjoy themselves, but that&

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scene title:  hot lesbian seduction performers:  alina lopez, anne amari site:  lesbianx (xempire) production credits:  mason (dir.) trailer l: alina lopez, r: anne amari speaking of mid-2000s gonzo, here's a scene straight from that school, with only the ages of the participants, the highness of the definition, and the zooming trap beats that open it marking any difference in the passage of time. i know and deeply respect alina lopez, one of the strongest young performers of the present moment, but this is my first encounter with anne amari, who appears to be less than a year into her career. because mason has stopped doing the brief interview to camera where she asks the girls what they're doing and how they feel about it, i have no feel for her personality beyond what reactions alina, who is very much driving the scene throughout, is able to elicit with her snakelike tongue and boundless energy. but they're both beautiful young women and give every indi

scene title:  soft girl obedience performers:  jenna sativa, kayla paris site:  when girls play  ◅  twistys (mindgeek) production credits:  none listed trailer l: jenna sativa, r: kayla paris i've always been a little skeptical of jenna sativa. not in the sense of the standard girl/girl fan "oh she's not really a lesbian" moaning, or even in the more discerning porn fan's belief that her white-of-the-eyes orgasms are over-the-top and inauthentic. i am one who appreciates any effort performers put in to convince the camera they're having orgasms, and i don't expect any girl/girl performer (whether exclusively so or not) to be a six on the kinsey scale. girl/girl porn is made for hetero consumption; if queer people are able to enjoy it too, that's a bonus rather than the objective. no, my issue with jenna sativa is that she rarely feels committed to the scene. i don't mean the sex: she's one of the top three or four all-time g

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scene title:  mastur-baiting mommy performers:  emma hix, dee williams site:  mommy's girl  ◅  girlsway (gamma) production credits:  craven moorehead (dir.), fistopher nolan (scr.) trailer l: emma hix, r: dee williams the seventh girlsway scene i've reviewed for the month of april, and the third director to be called in as a replacement for stills by alan. craven moorehead has been a gamma contractor for a while now: he's filled in when alan couldn't maintain the onerous schedule throughout 2018, and he's the main director for pure taboo. not that this is shot anything like a pure taboo scene: it's still the pretty standard girlsway setup, but with a better eye and a cooler, less oversaturated color palette. dee in particular is highly flushed by the end of the scene, but rather than glowing bright red, as she would have under stills by alan's camera, she's just a delicate rose color. the subdued colors are suited to a scene that take