the whole shebang

scene title:  4 on 1 lesbian gangbangs #04 [scene 2] performers:  victoria puppy, angel piaff, tina kay, claudia macc, lilu moon site:  doghouse digital (mile high) production credits:  kk (dir.) trailer l to r, standing: claudia macc, victoria puppy, lilu moon, angel piaff, c: tina kay i disliked the first installment in this series so much that this was bound to be an improvement, if only because the woman at the center of the gangbang is tina kay, who is british and so has no problem verbalizing her enjoyment of the proceedings in detailed and continuous english. perhaps thanks to her example, the rest of them (the czech puppy, piaff, and macc and the russian moon) also do plenty of talking, with the result that there's more chemistry flying around this set in the first ten minutes than there was for the entirety of daphne klyde's session. which doesn't mean i loved it. my objections to the format and genre expectations of the four-strapon gangbang ar

scene title:  whore - lazy room performers:  paula a, emily j site:  sexart (metart) production credits:  paul black (dir.) trailer paula a once more, we're pushing against the limits of what can reasonably be called a girl/girl scene. the two performers who appear in this never share the screen and have quite possibly never met. both of them are from latvia, although paula (who is filmed directly) has only been doing erotic modeling since 2016; emily (who only appears on phone and laptop screens putting on a sex show for paula; her whole face is never shown here) has been doing erotic modeling and very occasionally pornography since 2012. this is a sequel of sorts to a black-and-white 2017 sexart film called "whore - the day after" featuring emily and an anonymous male performer, also by director paul black and producer ilona black. emily's name is only given as "whore" in paula's messages with her, apparently as a nod. is it a girl/gi

scene title:  they come in peace [scene 1] performers:  madison ivy, darcie dolce site:  digital playground (mindgeek) production credits:  françois clousot (dir.) trailer l: madison ivy, r: darcie dolce yeesh. i have not wanted to weigh in on a talking point that a vocal contingent of girl/girl fans insist on repeating, which is that darcie dolce is a fake lesbian and should be unceremoniously booed out of the industry. on the one hand, i refuse to claim to be able to read people's hearts, and darcie's statements that she enjoys having sex with women are good enough for me. on the other hand, i have never once bought her in a scene. which isn't to say she's a bad performer. she's definitely a weak actress, but that's different. (her casting here as some kind of, spoiler alert, emotionless alien is inspired.) she's an energetic and enthusiastic performer, which is all that many scenes require. she even on occasion manages to have chemistr

scene title:  wives with secret lives performers:  natasha nice, jessie lee site:  turning twistys  ◅  twistys (mindgeek) production credits:  none listed trailer l: natasha nice, r: jessie lee the turning twistys series has brought scenario-oriented porn to the forefront of twistys for the first time in basically forever: the site's roots in pure glamour photography mean that the visuals have always led scenes, with scenario an afterthought or forgettable piece of fluff. i'm not going to say that they're now telling sophisticated stories; this is still one of the most basic porn setups available: new neighbor drops in on unsatisfied wife, fucks her ragged while oblivious husband (once more the mvp of nonsex roles, will pounder) putters around the kitchen. but the knowing seduction is nicely played, and while it's preposterous throughout both performers commit so strongly that i can't help rooting for them. the visual contrast between the angular,

scene title:  the heist performers:  haley reed, natalie mars site:  transfixed (gamma) production credits:  bree mills (dir, scr.), angelo poirier (ed.) trailer l: natalie mars, r: haley reed the last transfixed scene of the month appears here, which feels like an invitation to wax philosophic about the series and its place in girl/girl porn. i've already given those thoughts, though, scattered throughout my reviews of trans scenes. i'll just reiterate again for the record that i am including scenes between trans women and cis women (and would include scenes between trans women and trans women if i knew of any released during april) here because trans women are women, and the categories that the porn industry uses to silo off differences are crudely outdated and need changing. in the minuscule way i am able to contribute to that change, i'm attempting to. this is the third time natalie mars has appeared this month, and because it's transfixed rather t