the whole shebang

scene title:  endless performers:  ana foxxx, avi love, lacy lennon site:  all her luv (missax) production credits:  whitney wright (dir., scr.), missa x (ed.) trailer l: avi love, r: lacy lennon there are three names in the header, but this isn't a threesome: according to the writer/director, it's a two-part scene that seems to have been released as one for maximum impact. at an hour and twenty minutes, it's long enough to be considered a feature film by the academy of motion picture arts and sciences, and in fact it's smart, well-made, and narratively fulfilling enough to play at a film festival, which i wouldn't say about anything else i've reviewed this month. structurally it's still very much porn, as the bulk of the running time is taken up by two extended sex scenes, one between avi love and lacy lennon and the other between avi and ana foxxx, but the structure, communicated almost entirely in film language rather than dialogue, is mor

scene title:  lesbian taxi threesome wild orgasms performers:  anna di, cherry kiss, hayli sanders site:  female fake taxi  ◅  fakehub (really useful) production credits:  none listed trailer l: cherry kiss, c: hayli sanders, r: anna di oh, jesus, not another one. that's what i said to myself when this came up in the schedule, and it's what i said to myself when i started watching the video and serbian cherry kiss (who i last saw being very appreciative in a very bad 21sextury scene) was making awkward small talk with ukrainians anna di (who usually goes by dominic anna) and hayli sanders (who is still very new). but you never can tell, and this scene, despite being a threesome and so having more room for awkwardness, especially in such a limited space, was much better than the first femalefaketaxi scene i reviewed here. partly that's because it was carried on in english, as the only language the three of them have in common, but partly that's becaus

scene title:  orgasmic threesome performers:  anissa kate, tiffany tatum, angelika grays site:  dorcel club production credits:  hervé bodilis (dir.) trailer r: tiffany tatum, c: anissa kate, l: angelika grays a dorcel girl/girl scene is always an occasion for conflicting feelings for me. on the one hand, it's shot spectacularly: lighting, makeup, costuming, decor, all the production values are at a very high level. and dorcel hires professionals who are good at what they do: here the veterans anissa kate (french of algerian heritage) and tiffany tatum (hungarian) induct the newcomer angelika grays (ukrainian) into a vaguely submissive sexual relationship, where the submission is shown more by costuming than action. it looks ravishing from beginning to end. but on the other hand, there is often no dialogue (or when there is, it's in french, untranslated), it's generally a showcase for toys (always from dorcel's own line of handsome, expensive sex toy

scene title:  a xxx audition performers:  sybil a, nancy a site:  euro girls on girls  ◅  ddf network production credits:  none listed trailer l: sybil a, r: nancy a the long-running euro powerhouse ddf network seems to have really cut back recently. i might just be noticing a significant reduction in girl/girl content, because that's my thing, but it's gotten to the point where i have to check whether every scene they post is recycled content from their archives, because so much of it is. i don't believe this one is, although these two beautiful ukrainian performers have worked together frequently over the past four years. they work a lot period; i've reviewed them both here already, nancy in a threesome for nubile films, and sybil in a pairing for ultra films; i liked the latter much more than the former, for the record. here, nancy plays a casting agent holding auditions for some unspecified modeling job; sybil comes in and shyly twirls for her; nan

scene title:  lesbian legal #14 [scene 3] performers:  kat dior, danni rivers site:  girlfriends films production credits:  b. skow (dir.) trailer l to r: eva long, violet rain, danni rivers, kat dior jesus fucking christ. i feel like i deserve restitution for sitting through that introduction. none of the four principles in the second half of this stupid movie can act, the story they are telling about new york lawyers suing a las vegas plastic surgeon for sexually harrassing strippers is profoundly stupid and nonsensical, and every minute of the twenty before the sex begins feels like an eternity because girlfriends doesn't know how to pace for shit. i will note that i only just realized that long-serving gonzo director b. skow directed lesbian legal #14, because i happened to check iafd.com for this scene. presumably he's why the color grading is so professional, and why the sex is filmed in a minimally more competent manner than we saw in, for example, le

scene title:  velma and daphne performers:  bree daniels, alexis fawx site:  sweetheart video (mile high) production credits:  ricky greenwood (dir.), sean aitch (ed.) trailer l: alexis fawx, r: bree daniels well, that was slight. bree daniels brings alexis fawx breakfast in bed, which alexis appreciates until she realizes that it's their anniversary: to make up for forgetting, she has sex with bree. oh, and they are dressed as sexy versions, and use the names, of the two female scooby-doo characters. (i think alexis says jinkies at one point). alexis fawx and bree daniels are more interesting to me than two cartoon ciphers who were never more than a couple of good designs, so the cosplay element didn't work at all for me, but once the sex begins it doesn't get in the way. they are both professionals of many years' experience, so they're very good at the sex (because this is the last scene in lesbian analingus #13, it's maybe a bit more showc

scene title:  libero libido performers:  skyler nicole, cecilia lion site:  we live together  ◅  reality kings (mindgeek) production credits:  none listed trailer l: cecilia lion, r: skyler nicole meanwhile, reality kings keeps right on trucking along with another entry in the welivetogether brand. this time up: cecilia lion and skyler nicole as volleyball players fighting over who gets to keep the ball as a trophy for their big win. it's a feather-slight pretext for a scene, and skyler slamming cecilia up against the lockers after she yanks the ball out of her hands one too many times would, in any genre but porn, be the beginning of an actual fight. but instead they both smirk, and skyler drops to her knees. if it was just sex from then on, it would be a dreadfully boring scene; but whether it was in the script or not (i tend to think it was, since mindgeek productions have a reputation for being micromanaged by corporate), they introduce a competitive element to t

scene title:  kiss me if you can performers:  angela white, anny aurora site:  when girls play  ◅  twistys (mindgeek) production credits:  holly randall (dir.) trailer l: angela white, r: anny aurora in a curious coincidence, anny aurora's girl/girl showcase for april, during which she is reigning as twistys treat of the month [sic], dropped the same day as lacy lennon's same for cherry pimps. (maybe it's not so curious: exactly halfway through the month is a pretty obvious schedule.) anny's choice of angela goddamn white, the most successful and awarded pornstar of her generation, as her scene partner is inspired; the scenario is rather less so. in fact, calling it a scenario, rather than merely a visual montage, is generous; although interestingly it's the kind of thing that a well-read lesbian of the 1940s or 50s might have had erotic fantasies about. both women dress in gauzy semi-classical robes as if in imitation of greek nymphs, frolic in a

scene title:  can't be away from you for another minute performers:  lacy lennon, serene siren site:  cherry pimps (pimp.xxx) production credits:  dean capture (dir.), lacy lennon (scr.) trailer l: serene siren, r: lacy lennon cherry pimps really does try. lacy lennon, the new it girl of early 2019, is their cherry of the month [sic] for april, and this girl/girl scene was, i gather, her brainchild: a scenario of closeted lesbian lovers in the 1940s or 50s, co-starring one of the few current girl/girl performers who could pull off the classic melodrama look. not that the period costuming goes beyond some ornate lingerie and long strings of plastic pearls: even their hairstyles are more of a reference to a generic past than a recreation of any particular style. a highly desaturated introduction, with lacy waiting anxiously by her phone for a serene who does not answer, establishes the fillip of narrative: when serene enters, she is distraught because their famili

scene title:  you're the boss performers:  kenzie taylor, veronica valentine site:  all girl massage  ◅  fantasy massage (gamma) production credits:  billy visual (dir.), willy balsh (ed.), fistopher nolan (scr.) trailer l: veronica valentine, r: kenzie taylor the massage genre of porn is so inherently limited, and the various methods by which sex is introduced into the scenario so few and so frequently repeated, that even the slightest variations on the theme can be a relief to someone who consumes it frequently. here, kenzie taylor as the masseuse offering her new receptionist veronica valentine a massage in order to practice the "new technique" that's very effective in europe is perhaps the most common setup: the "new technique" is, of course, focused on the vulva. it's the transition from the masseuse getting the client off to the client returning the favor is the part that's always tricky: the most usual solution is to just play