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Showing posts from April 3, 2019

mia lelani and esperanza del horno in “stepmom and daughter get it on”

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cherry kiss, jozephine jackson and diane chrystall in “gym orgy”

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scene title:  gym orgy performers:  cherry kiss, jozephine jackson, diane chrystall site:  lez cuties  ◅  21sextury (gamma) production credits:  none listed trailer l: cherry kiss, c: jozephine jackson, r: diane chrystall threesomes are rough. it's difficult to balance sexual attention between the three participants with the best will in the world, and if any two members are too into each other there's always the danger of the other becoming too much of a third wheel. worse yet, threesomes without any setup, character, or dialogue run the risk of becoming simply a catalog of body parts, tedious even in their explicitness because anatomy is far less erotic than personality. i have no reason to believe that cherry kiss (serbian), jozephine jackson (ukrainian) and diane chrystall (hungarian) did not enjoy themselves throughout the activity recorded in this scene: in particular, cherry kiss, the most experienced of the three, vocalized her pleasure in a convincing

lovita fate and mia casanova in “pale blonde nymphs lesbian massage”

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scene title:  pale blonde nymphs lesbian massage performers:  lovita fate, mia casanova site:  massage rooms  ◅  sexyhub (really useful) production credits:  none listed trailer l: mia casanova, r: lovita fate oddly enough, given the limited possibilities of the setting, massage scenes are often among the best plotless, wordless european girl/girl scenes. perhaps it's simply that the genre has a narrative structure baked into it: starting with a regular massage, slowly moving into sexual massage, and ultimately, always, turning into reciprocal sex. (someday i would love to see a girl/girl scene in which only one girl services the other, not because mutuality isn't important but because power relations can also be erotic) lovita fate is czech and has been in the business for two years, mia casanova is italian and only a few months in, and i'm sorry to say i believed in the former's abilities more than the latter. partly that was because of the stupidly

audrey noir and verronica kirei in “sexy hot lesbian duo”

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scene title:  sexy hot lesbian duo performers:  audrey noir, verronica kirei site:  wild on cam ◅ cherry pimps (pimp.xxx) production credits:  none listed trailer l: verronica kirei, r: audrey noir once more, the question of what a scene is has to be broached. i wouldn't review a show on a standard camming site, even if it was available as a later download. but because glamour site cherry pimps, alone (as far as i know) of the major mainstream porn sites, includes semiweekly cam shows as part of their update schedule, i'm including their girl/girl entries in my review. as i've noted before, i squirm at porn in which the girls acknowledge the camera; but what gets me off personally isn't the point of these reviews. the premise of camshows is that the girls interact with the people who are watching and requesting activities, and just because my personality quirks mean that i would never participate in that exchange doesn't mean it's bad or invali

alexxa vega and chloe temple in “old enough”

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gina valentina and whitney wright in “lesbian sex #19”

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scene title:  lesbian sex #19 [scene 4] performers:  gina valentina, whitney wright site:  girlfriends films production credits:   dan o'connell (dir.) trailer l: gina valentina, r: whitney wright despite my disdain, girlfriends is just about neck-and-neck with girlsway as the most prolific girl/girl porn brand in the industry; and thanks to the happenstance of when the weekly schedule falls on the monthly calendar, i'm reviewing two girlfriends scenes before even one girlsway. this one is from a dvd that was released in november 2018, from a line that is the closest girlfriends gets, in their stodgy, uninflected way, to gonzo. gina and whitney sit down with each other and ask pat questions about each others' sexual histories and how they deal with the stigma of being in porn. after about twenty minutes of gina's stoner philosophy and whitney's practised generalizations, they smile awkwardly at the camera and we cut to kissing. they are much more c

freya dee and sabrisse in “love time”

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scene title:  love time performers:  freya dee, sabrisse site:  viv thomas (metart) production credits:  nik fox & tom veller (dir.) trailer l: sabrisse, r: freya dee once upon a time viv thomas was the most celebrated girl/girl brand in porn. that was a long time ago, and the british pornography industry has virtually disappeared since. metart, its production based in the czech republic, owns viv thomas now, and while the revived brand remains exclusively girl/girl and still focuses on beautiful, elegant, and slightly soulless photography, the imagination and narrative skills that were once the actual viv thomas's hallmark are now mostly gone. here, while a mumbly faux-gospelfolk ballad plays, russian freya dee and czech sabrisse wander through a snowy park, sit down on a bench, kiss, get up, and cut to an indoor scene where they playfully show off their lingerie, and so on. not a word is spoken, no story is even attempted. who are these women? shrug. why do th

valentina nappi and joanna angel in “forever yours”

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scene title:  forever yours performers:  valentina nappi, joanna angel site:  turning twistys  ◅  twistys (mindgeek) production credits:  none listed trailer l: valentina nappi, r: joanna angel because i am the kind of ~~aesthetics~~ nerd who prioritizes porn that looks beautiful over porn that feels authentic, i have been keeping tabs on glamour site twistys for a while now. i was glad to see them make the move into going fully girl/girl this year, retiring brands that duplicated content elsewhere in the mindgeek empire and kicking off a new series, turning twistys, about lesbians seducing straight women. the results have been variable, but this is perhaps the best turning twistys scene yet. partly that's because joanna angel and valentina nappi are both sexual dynamos, so that it never feels like an unequal contest, but partly too it's because the very basic setup (valentina as a bride with pre-wedding jitters, joanna as a friend who suggests she's makin