abigail mac and kendra spade in “vagina vendetta”
scene title: vagina vendetta
performers: abigail mac, kendra spade
site: girls gone pink ◅ mofos (mindgeek)
production credits: none listed
trailer
oh god
i said i wasn't going to talk about what gets me hard or wet, so i'll just note here that i have discovered, much later in life than i would have imagined possible, that i have a fetish i didn't realize i did.
this is the second girls gone pink scene i'm reviewing, and kendra and abigail follow through on the handheld-camera premise much more extensively and imaginatively, and with greater narrative justification, than the silly gym antics of milana may and mackenzie moss. kendra is mad at a cheating boyfriend, and invites over the best friend she was cheated on with to film themselves fucking each other "better than he ever did." they trade off holding the camera while they go through any number of positions, never forgetting to remind the viewer spitefully that they're experiencing more pleasure with each other than they ever did with him.
both kendra and abigail are brilliant at improvising slams on the theoretical boyfriend, but they're also brilliant at having sex and, which is what matters for porn, demonstrating their enjoyment of it. kendra feels much more engaged here than she did with eliza ibarra for girlsway, released the same day. not that she was disengaged there, but abigail goddamn mac is such a legend, committing 110% every time, that she raises everyone's game.
the camerawork is stunning for being all filmed on handheld gopros, supposedly by the performers themselves (i don't doubt they keep their hand on it, but i also doubt that they're the only ones holding it and framing the shots): the colors are particularly rich and beautifully-lit. the shots are still of course awkward, with distorted perspective and weird unattractive angles, but it's justified so well narratively that i can't really be mad about it. i suppose there were moments that better angles could have been chosen, especially during the tribbing; but the performer's personalities are so front-and-center that it's hard to care.
performances: 30
cinematography: 22
editing: 16
script: 13
sjw points: 4
total score:
performers: abigail mac, kendra spade
site: girls gone pink ◅ mofos (mindgeek)
production credits: none listed
trailer
 |
| l: abigail mac, r: kendra spade |
oh god
i said i wasn't going to talk about what gets me hard or wet, so i'll just note here that i have discovered, much later in life than i would have imagined possible, that i have a fetish i didn't realize i did.
this is the second girls gone pink scene i'm reviewing, and kendra and abigail follow through on the handheld-camera premise much more extensively and imaginatively, and with greater narrative justification, than the silly gym antics of milana may and mackenzie moss. kendra is mad at a cheating boyfriend, and invites over the best friend she was cheated on with to film themselves fucking each other "better than he ever did." they trade off holding the camera while they go through any number of positions, never forgetting to remind the viewer spitefully that they're experiencing more pleasure with each other than they ever did with him.
both kendra and abigail are brilliant at improvising slams on the theoretical boyfriend, but they're also brilliant at having sex and, which is what matters for porn, demonstrating their enjoyment of it. kendra feels much more engaged here than she did with eliza ibarra for girlsway, released the same day. not that she was disengaged there, but abigail goddamn mac is such a legend, committing 110% every time, that she raises everyone's game.
the camerawork is stunning for being all filmed on handheld gopros, supposedly by the performers themselves (i don't doubt they keep their hand on it, but i also doubt that they're the only ones holding it and framing the shots): the colors are particularly rich and beautifully-lit. the shots are still of course awkward, with distorted perspective and weird unattractive angles, but it's justified so well narratively that i can't really be mad about it. i suppose there were moments that better angles could have been chosen, especially during the tribbing; but the performer's personalities are so front-and-center that it's hard to care.
performances: 30
cinematography: 22
editing: 16
script: 13
sjw points: 4
total score:
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