angela white and anny aurora in “kiss me if you can”
scene title: kiss me if you can
performers: angela white, anny aurora
site: when girls play ◅ twistys (mindgeek)
production credits: holly randall (dir.)
trailer
in a curious coincidence, anny aurora's girl/girl showcase for april, during which she is reigning as twistys treat of the month [sic], dropped the same day as lacy lennon's same for cherry pimps. (maybe it's not so curious: exactly halfway through the month is a pretty obvious schedule.) anny's choice of angela goddamn white, the most successful and awarded pornstar of her generation, as her scene partner is inspired; the scenario is rather less so.
in fact, calling it a scenario, rather than merely a visual montage, is generous; although interestingly it's the kind of thing that a well-read lesbian of the 1940s or 50s might have had erotic fantasies about. both women dress in gauzy semi-classical robes as if in imitation of greek nymphs, frolic in a california garden, and then chase each other up stairs into a vaguely mediterranean building, where they abandon the mythological overtones by having sex on a kitchen counter.
they give every indication of enjoying the sex despite the discomfort of the setting (angela is a machine and anny is a trouper), but because they're wedged into a corner the camera angles are overdetermined and unable to capture all of the action, especially during the sixty-nine. because it's shot by veteran glamour pornographer holly randall (which i only know because angela went out of her way to credit her on social media; mindgeek gives no credits), the lighting and colors are exquisite, but the angles on the sex are straightforward and static, photographs that move rather than the fluid cinematic movement of the outdoor introduction.
it's perfectly serviceable glamour girl/girl porn, only disappointing because there's no real narrative here, only a sequence of beautiful images; even when the girls speak, it's only to give each other the usual encouragement. in a way it's more like european girl/girl than the more narrative-heavy style typically made in the us, and maybe that shouldn't be a surprise; anny aurora is german.
performances: 22
cinematography: 23
editing: 18
script: 5
sjw points: 2
total score:
performers: angela white, anny aurora
site: when girls play ◅ twistys (mindgeek)
production credits: holly randall (dir.)
trailer
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| l: angela white, r: anny aurora |
in a curious coincidence, anny aurora's girl/girl showcase for april, during which she is reigning as twistys treat of the month [sic], dropped the same day as lacy lennon's same for cherry pimps. (maybe it's not so curious: exactly halfway through the month is a pretty obvious schedule.) anny's choice of angela goddamn white, the most successful and awarded pornstar of her generation, as her scene partner is inspired; the scenario is rather less so.
in fact, calling it a scenario, rather than merely a visual montage, is generous; although interestingly it's the kind of thing that a well-read lesbian of the 1940s or 50s might have had erotic fantasies about. both women dress in gauzy semi-classical robes as if in imitation of greek nymphs, frolic in a california garden, and then chase each other up stairs into a vaguely mediterranean building, where they abandon the mythological overtones by having sex on a kitchen counter.
they give every indication of enjoying the sex despite the discomfort of the setting (angela is a machine and anny is a trouper), but because they're wedged into a corner the camera angles are overdetermined and unable to capture all of the action, especially during the sixty-nine. because it's shot by veteran glamour pornographer holly randall (which i only know because angela went out of her way to credit her on social media; mindgeek gives no credits), the lighting and colors are exquisite, but the angles on the sex are straightforward and static, photographs that move rather than the fluid cinematic movement of the outdoor introduction.
it's perfectly serviceable glamour girl/girl porn, only disappointing because there's no real narrative here, only a sequence of beautiful images; even when the girls speak, it's only to give each other the usual encouragement. in a way it's more like european girl/girl than the more narrative-heavy style typically made in the us, and maybe that shouldn't be a surprise; anny aurora is german.
performances: 22
cinematography: 23
editing: 18
script: 5
sjw points: 2
total score:
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