daphne klyde, naomi bennet, victoria pure, antonia sainz and jenifer jane in “4 on 1 lesbian gang bangs #04”

scene title: 4 on 1 lesbian gang bangs #04 [scene 1]
performers: daphne klyde, naomi bennet, victoria pure, antonia sainz, jenifer jane
site: doghouse digital (mile high)
production credits: kk (dir.)
trailer

l to r, standing: victoria pure, naomi bennet, jenifer jane, antonia sainz, c: daphne klyde

one other reason i might have liked london river's gangbang so much is that i was already subconsciously comparing it to this, which i knew was coming up next, and which i could tell just from the preview images would be, for my purposes, unsatisfactory on every level.

doghouse digital is mile high media's european sub-brand; best known for romantic, script-heavy imprints like sweet sinner and sweetheart video, mile high uses doghouse as a generic clearinghouse for mostly-gonzo, mostly-hardcore stuff that caters to particular fetishes. their girl/girl material in particular is exclusively either younger/older pairings or this kind of pointless nonsense.

i'm calling it pointless nonsense because the premise of the scene is that czech stars bennet, pure, sainz, and jane wear strapons and take turns penetrating the orifices of ukrainain daphne klyde, who treats the other strapons throughout like flesh objects capable of sensation, fellating and frotting them as though they might go flaccid otherwise. i suppose that must cater to some people's fetishes, but while i certainly appreciate a good strapon-wielder (lily cade and sinn sage are in my girl/girl pantheon) i have little to no interest in seeing the device itself treated like a penis; and none of the wielders here are particularly talented at it. sainz is the best, mostly thanks to the sheer size of her device, but in unlike a traditional gangbang there's very little coordination between the phallus-bearers and no attempt whatever at intimacy between the participants. it goes without saying that klyde is the only one to receive any actual (rather than simulated) stimulation, and while she shows every indication of thoroughly enjoying the experience, it's hard to escape the notion that the participants who aren't actively stimulating her are just putting in time.

no words, apart from the occasional "yeah" and "oh my god," from klyde, are spoken throughout, although the rest keep up a continuous hum of pseudo-sexy moaning. the filmmaking is no better than serviceable: mile high's high standards for production values mean that it's adequately lit and the colors pop well, but the camerawork is of the point-and-shoot school, with no attention to composition, finding interesting or attractive angles, or variety.

performances: 19
cinematography: 16
editing: 16
script: 3
sjw points: 0

total score: 

54

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