kenzie reeves, alina lopez and mackenzie moss in “maid for each other: nasty cleaning crew”
scene title: maid for each other: nasty cleaning crew
performers: kenzie reeves, alina lopez, mackenzie moss
site: girlsway (gamma)
production credits: casey calvert & eli cross (dir.), fistopher nolan (scr.)
trailer
newcomer mackenzie moss has her second girl/girl scene and girlsway debut here. in a scene with such strong performers as sex goblin kenzie reeves and natural domme alina lopez, there's a possibility that she could be overshadowed, but she holds her own without ever taking charge of the scene the way alina and kenzie trade off doing.
the premise, that the three of them are a maid cleaning service hired by london river (in the same house where she and alina cavorted in "fam fiction," also directed by casey and eli, an indication of just crowded the girlsway shooting schedule is), is thin and unconvincing; london as the demanding, bitchy homeowner gives the most believable performance in a cameo role. alina as the senior cleaner anxious about getting caught gives a decent performance, and kenzie as the sexual instigator alongside mackenzie are victims of girlsway's improv-heavy shooting style. a script that led naturally, or even campily, from cleaning to sex might have worked, but the three of them working together had to more or less stumble into it.
of course the sex works great once it gets going. it's a squirt-heavy scene, which always makes me think less about female ejaculate and more about full bladders, but setting that to one side all three of them are energetic and invested in one another's pleasure. like most threesomes, it drags on too long and is mostly unsatisfying for fans of emotional intimacy, but there are some memorable sequences and the ability and professionalism of the three participants are unquestionable.
casey and eli's direction remains slightly better than stills by alan at his average, although the editor (who girlsway scenes shot in 2019 have stopped crediting) annoyed me by staying focused on close shots of genitals without giving enough long shots to establish the configuration of bodies. the closing sequence, in which london returns and they kneel behind the kitchen island pretending that they are still fully dressed, is some actually decent comedy, landing in a way that not enough girl/girl scenes (which as often as not just fade out on post-coital kissing) ever do.
performances: 24
cinematography: 20
editing: 16
script: 11
sjw points: 2
total score:
performers: kenzie reeves, alina lopez, mackenzie moss
site: girlsway (gamma)
production credits: casey calvert & eli cross (dir.), fistopher nolan (scr.)
trailer
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| l: alina lopez, c: kenzie reeves, r: mackenzie moss |
newcomer mackenzie moss has her second girl/girl scene and girlsway debut here. in a scene with such strong performers as sex goblin kenzie reeves and natural domme alina lopez, there's a possibility that she could be overshadowed, but she holds her own without ever taking charge of the scene the way alina and kenzie trade off doing.
the premise, that the three of them are a maid cleaning service hired by london river (in the same house where she and alina cavorted in "fam fiction," also directed by casey and eli, an indication of just crowded the girlsway shooting schedule is), is thin and unconvincing; london as the demanding, bitchy homeowner gives the most believable performance in a cameo role. alina as the senior cleaner anxious about getting caught gives a decent performance, and kenzie as the sexual instigator alongside mackenzie are victims of girlsway's improv-heavy shooting style. a script that led naturally, or even campily, from cleaning to sex might have worked, but the three of them working together had to more or less stumble into it.
of course the sex works great once it gets going. it's a squirt-heavy scene, which always makes me think less about female ejaculate and more about full bladders, but setting that to one side all three of them are energetic and invested in one another's pleasure. like most threesomes, it drags on too long and is mostly unsatisfying for fans of emotional intimacy, but there are some memorable sequences and the ability and professionalism of the three participants are unquestionable.
casey and eli's direction remains slightly better than stills by alan at his average, although the editor (who girlsway scenes shot in 2019 have stopped crediting) annoyed me by staying focused on close shots of genitals without giving enough long shots to establish the configuration of bodies. the closing sequence, in which london returns and they kneel behind the kitchen island pretending that they are still fully dressed, is some actually decent comedy, landing in a way that not enough girl/girl scenes (which as often as not just fade out on post-coital kissing) ever do.
performances: 24
cinematography: 20
editing: 16
script: 11
sjw points: 2
total score:
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