kenzie taylor and cadence lux in “hot girl on girl sex on the couch”

scene title: hot girl on girl sex on the couch
performers: kenzie taylor, cadence lux
site: zero tolerance
production credits: mike quasar (dir.)
trailer

l: kenzie taylor, r: cadence lux

the second installment from the dvd of is it wrong she's my stepmom? vol. 3 is both exactly as well-shot as the first and much better performed. not that mia lelani and esperanza del horno were at all bad, just relatively subdued by comparison. kenzie and cadence don't just enjoy having sex with each other, they enjoy teasing each other, fleshing out their characters' relationship and history, and dirty-talking throughout. kenzie in particular is an endless font of erotic conversation, sharp observation, and enthusiastic encouragement to her scene partner: she, not the director, should probably be writing the scripts for her scenes.

i've noted before that i don't particularly care for the stepmother-stepdaughter premise in girl/girl, but that's because that premise is so often either ignored so that it's just two women having sex in which case who cares why, or it caters so specifically to incest fetishists that it gets gross and the fantasy element is lost. here, the premise is so slightly sketched-in that the chemistry between the performers is what carries it, and if kenzie and cadence, both of whom are always enthusiastic, didn't particularly enjoy each other more than usual during this scene, they gave such a good imitation of it that there's not much of a difference.

low marks for the editing are because it was so choppy as to be almost careless; i'm aware that porn's time constraints don't exactly allow for reshoots or pickups, but speeding past the interesting things kenzie has to say to cadence makes the final product feel like unaware of what its best features are; and yet still somehow several moments when something abrasive rubs against an off-camera microphone got left in.

low marks for the script are because the actual script (what cadence says in voiceover at the beginning and, presumably, the gist of the opening conversation) is bare-bones and so unbelievable that it takes a heroic effort on the part of both performers to just about sell it. they do, because they're that good, but the scene really picks up when they just start to say whatever pops into their heads.

performances: 26
cinematography: 22
editing: 10
script: 5
sjw points: 2

total score: 

65

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