mercedes carrera, lyra law, emma hix and olive glass in “locker room lesbian fun”

scene title: locker room lesbian fun
performers: mercedes carrera, lyra law, emma hix, olive glass
site: zero tolerance
production credits: mike quasar (dir.)
trailer


l to r: lyra law, mercedes carrera, olive glass, emma hix

although this is one of the longest scenes i've reviewed so far on the site, the review will be brief. there's little to say.

i'm using the "recycled" tag for anything that was released on dvd before being posted on websites for streaming or download, and this is one of the oldest scenes yet: its parent dvd, lesbian gym teacher gangbang, was released in april 2018. it barely counts as new, but because it hasn't been available in any format higher than 480p before now, i'm reviewing it.

mercedes carrera (whose politics i despise, but about whose guilt or innocence of the current charges against her i am unwilling to speculate) plays the gym teacher ravished in the locker room by her three students, none of whom are much younger than her. like most of mike quasar's shoots for zero tolerance, the setup is minimal and mostly improvised by the cast. the four of them are thoroughly competent at their jobs, which includes commenting on the action as they enact it.

that my interest in the scene dissipated long before the four of them had gone through all the various configurations that so many bodies in one space apparently requires isn't a knock on any of them, or on quasar's thoroughly workmanlike recording of the event (although he did miss a couple of edits where he had to remind lyra law to keep her hair out of her face). it might be a knock on orgy scenes in general, or on the specific school-gym fantasy vaguely represented by the lockers in the background and the yoga mats on the floor.

or i might just not be able to enjoy mercedes carrera at all anymore; i never had a lot of fondness for her ever since she emerged having borrowed the names of my favorite performers of the 1990s and 2000s (asia carrera and nina mercedez, respectively), but my awareness of her poisonous ideology, not to mention the gravity of the charges against her, has meant i've avoided her work since 2016 or so. that this oldie happened to be posted this month is the only reason i watched it, and i certainly never will again.

performances: 20
cinematography: 16
editing: 6
script: 2
sjw points: 3

total score: 

47

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