natalie mars and riley reyes in “hog wild”
scene title: hog wild
performers: natalie mars, riley reyes
site: ts pussy hunters ◅ kink
production credits: sadie lola (dir.)
trailer
well, huh.
i've had to wrestle before with how to evaluate scenes which are very much not my thing (anal, squirting, and pseudo-incest don't do much for me, but i've seen enough of each that i can distinguish between the mediocre and the great), but i've never had to figure out how to talk about something so far out of the realm of being my thing i didn't even know it was anybody's thing. so i want to tread lightly here.
the specific fetish is, i guess, dehumanization. riley reyes plays a woman whose car has broken down and stops at a farm to ask for gasoline. farmgirl natalie mars instead chains her and turns her into a "piggie," giving her ears and a buttplug tail and stretching her nostrils with wire in imitation of a snout, cages her, puts her hands in synthetic hooves and binds her knees to she has to walk on all fours in them, cattle prods her, and finally has sex with her. none of which i found erotic in the slightest, although it was certainly interesting at least up to the sex, which was merely tedious in the usual way. but i have no interest in kinkshaming here: done by consenting and enthusiastic adults, which natalie and riley certainly both are, there's nothing wrong with this kind of play.
natalie's richly inventive flow of improvised dialogue in quite a good southern accent made clear how much she was enjoying the scenario, and while riley was playing unwilling at first and had to limit her vocalizations to moans, oinks and squeals, she managed to make her enthusiasm clear. i've seen them work together before, for transfixed back in february, and while this scene lacked the glamorous chemistry of that one, thanks to both the bizarre scenario and kink's merely serviceable cinematography, it's ultimately perhaps more memorable.
i've seen critics of kink's sub-brand ts pussyhunters say that its scenarios reinforce the libel that trans women are inherently predatory or dangerous to cis women, and i do believe that the harm that that belief does to trans women far outweighs any jollies that people who like to see trans women dominating cis women can get from it. but i can also see that for trans porn performers it's often the only chance they ever get to play a dominant role, since the vast bulk of trans porn is about bottoming to cis men. and given the sheer outrageousness of this scenario, i would almost consider it more offensive to country folk than to trans women.
if any other site had shot this scene, without kink's pre- and post-scene interviews ensuring that the performers were okay with and even enjoyed everything they were doing, i'd probably feel more uncomfortable about it. ts pussyhunters will probably never be my destination for girl/girl porn after this month, but both of the scenes i've seen from them are thoroughly adequate.
performances: 23
cinematography: 17
editing: 16
script: 12
sjw points: 5
total score:
performers: natalie mars, riley reyes
site: ts pussy hunters ◅ kink
production credits: sadie lola (dir.)
trailer
 |
| l: riley reyes, r: natalie mars |
well, huh.
i've had to wrestle before with how to evaluate scenes which are very much not my thing (anal, squirting, and pseudo-incest don't do much for me, but i've seen enough of each that i can distinguish between the mediocre and the great), but i've never had to figure out how to talk about something so far out of the realm of being my thing i didn't even know it was anybody's thing. so i want to tread lightly here.
the specific fetish is, i guess, dehumanization. riley reyes plays a woman whose car has broken down and stops at a farm to ask for gasoline. farmgirl natalie mars instead chains her and turns her into a "piggie," giving her ears and a buttplug tail and stretching her nostrils with wire in imitation of a snout, cages her, puts her hands in synthetic hooves and binds her knees to she has to walk on all fours in them, cattle prods her, and finally has sex with her. none of which i found erotic in the slightest, although it was certainly interesting at least up to the sex, which was merely tedious in the usual way. but i have no interest in kinkshaming here: done by consenting and enthusiastic adults, which natalie and riley certainly both are, there's nothing wrong with this kind of play.
natalie's richly inventive flow of improvised dialogue in quite a good southern accent made clear how much she was enjoying the scenario, and while riley was playing unwilling at first and had to limit her vocalizations to moans, oinks and squeals, she managed to make her enthusiasm clear. i've seen them work together before, for transfixed back in february, and while this scene lacked the glamorous chemistry of that one, thanks to both the bizarre scenario and kink's merely serviceable cinematography, it's ultimately perhaps more memorable.
i've seen critics of kink's sub-brand ts pussyhunters say that its scenarios reinforce the libel that trans women are inherently predatory or dangerous to cis women, and i do believe that the harm that that belief does to trans women far outweighs any jollies that people who like to see trans women dominating cis women can get from it. but i can also see that for trans porn performers it's often the only chance they ever get to play a dominant role, since the vast bulk of trans porn is about bottoming to cis men. and given the sheer outrageousness of this scenario, i would almost consider it more offensive to country folk than to trans women.
if any other site had shot this scene, without kink's pre- and post-scene interviews ensuring that the performers were okay with and even enjoyed everything they were doing, i'd probably feel more uncomfortable about it. ts pussyhunters will probably never be my destination for girl/girl porn after this month, but both of the scenes i've seen from them are thoroughly adequate.
performances: 23
cinematography: 17
editing: 16
script: 12
sjw points: 5
total score:
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