sabrisse a and lorena b in “two girls one lake 2”
scene title: two girls one lake 2
performers: sabrisse a, lorena b
site: sexart (metart)
production credits: don caravaggio (dir.), laurie adams (ed.)
trailer
i must say, particularly immediately on the heels of the beautiful sandra shine scene for viv thomas, this was a disappointment. i normally love the visual style of sexart's scenes, especially andrej lupin's use of light and shadow; and don caravaggio's nom de porn led me to expect similar a tonal lusciousness. but a white couch against a picture window is hard to shoot, so that only from certain angles, and when the sun emerges from behind the clouds, does the light really wash over the bodies in a satisfyingly beautiful way. otherwise, the room lighting is harsh and unpleasant.
even so, the photography remains stiffly-composed and inelegant, lacking the intimacy of shine's work. even the more heavily-processed introduction set to a generic romantic pop song is only visually interesting because old european cities tend to be.
but what about the girls? czech sabrisse has already impressed me with her sexual skill and failed to impress me with any other; spanish lorena is exactly her equal. they make the couch work for them despite its generic quality, and enjoy each other's bodies in practised and energetic form. this is apparently their second pairing under caravaggio's direction, the first being three months old. if this scene wasn't shot at the same time, it's a testament to how much they enjoyed working together. but if it was, it shows the hallmarks of being a more rushed and careless second scene in a day.
performances: 20
cinematography: 15
editing: 16
script: 0
sjw points: 0
total score:
performers: sabrisse a, lorena b
site: sexart (metart)
production credits: don caravaggio (dir.), laurie adams (ed.)
trailer
 |
| l: lorena b, r: sabrisse a |
i must say, particularly immediately on the heels of the beautiful sandra shine scene for viv thomas, this was a disappointment. i normally love the visual style of sexart's scenes, especially andrej lupin's use of light and shadow; and don caravaggio's nom de porn led me to expect similar a tonal lusciousness. but a white couch against a picture window is hard to shoot, so that only from certain angles, and when the sun emerges from behind the clouds, does the light really wash over the bodies in a satisfyingly beautiful way. otherwise, the room lighting is harsh and unpleasant.
even so, the photography remains stiffly-composed and inelegant, lacking the intimacy of shine's work. even the more heavily-processed introduction set to a generic romantic pop song is only visually interesting because old european cities tend to be.
but what about the girls? czech sabrisse has already impressed me with her sexual skill and failed to impress me with any other; spanish lorena is exactly her equal. they make the couch work for them despite its generic quality, and enjoy each other's bodies in practised and energetic form. this is apparently their second pairing under caravaggio's direction, the first being three months old. if this scene wasn't shot at the same time, it's a testament to how much they enjoyed working together. but if it was, it shows the hallmarks of being a more rushed and careless second scene in a day.
performances: 20
cinematography: 15
editing: 16
script: 0
sjw points: 0
total score:
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